《上海月亮》根据井上(👎)&《上海月亮》根据井上(👎)厦(🔭)的同名(mí(🏕)ng )原(🎯)作改编而(ér )成(chéng )的舞台剧(jù ),由(🆑)栗(😼)山民(mín )也(💯)(yě )执导,野(yě )村万斋、广(guǎng )末凉(😐)子(⛴)主(🤞)演(yǎn ),鷲尾(💰)真知(zhī )子、土屋佑(yò(🌥)u )壱(🍤)、山崎一(👛)和(⛓)辻(shí )万长共同出(chū )演于2018年3月推(💽)(tuī(🎟) )出。
藝術家(🗑)(jiā )自古皆寂寞(mò )或許是境界(jiè(🚤) ),人(💼)到(🉑)中年(nián )萬(👘)事憂則是(shì )現實。在畫(huà(📊) )室洋洋(✡)灑(🍱)灑(😡)(sǎ )呈現自由雄(xióng )風的裸男畫(huà(😥) )作(🍒)令他一舉(🔎)成(🦗)名,在家面對前妻懷着新歡骨肉(📟)、(😻)與女兒相(🚀)處(chù )尷(gān )尬卻令他(tā )一(yī )籌莫(📲)展(😬)。貝(🔳)(bèi )蒙特的(🏑)寂(jì )寞,在於如(rú )何在(🔭)著(⏺)名畫(huà )家(🔻)與(🕜)單親爸(bà )爸雙(shuāng )重身份、藝(yì(👉) )術(🐸)創作與家(👤)(jiā )庭生活之間(jiān )取得平衡。維羅(🐋)((🌹)《電(🔻)(diàn )影就在(🚩)街角(jiǎo )》,35 屆)找(zhǎo )來合作(🐣)多年(niá(🍿)n )的(🏎)編(👕)劇兼美(měi )指好友對號(hào )入座,還(📛)原(⛄)(yuán )藝術家(🕺)有(🤬)血(xuè )有肉的矛盾(dùn )本性,在出世(🏌)與(🗣)入世的兩(🏵)難外,毋忘點點超現實(shí )的幽默(🙅)。
威(🐸)(wē(🐂)i )尼(ní )斯國(😫)際電(diàn )影(yǐng )節參展作(zuò(🤶) )品(pǐn )
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
從高(🌛)峰(🔲)滑(huá )落谷底,比(bǐ )從未風光過(guò(💉) )更(😥)難受?前(🐔)(qián )曼聯(lián )球星簡東拿(ná )變身潦倒(😈)過(🔮)(guò )氣藝術(☕)家尤(yóu )利西,那種(zhǒng )時不(🚨)我與的(☝)(de )虛(🎬)空(🐐)落寞盡(jìn )在眉宇間。藝術學生蒙(🐏)(mé(⛄)ng )娜欲拜他(🥌)為(🍓)(wéi )師,反過來(lái )成了他重生(shēng )的(😢)希(🚓)望。發(fā )現(🚘)身患絕症(zhèng )後,他由蒙娜作伴,走(🎖)出(🤟)隱(🍲)居大宅,尋(📄)訪當年被(bèi )他離棄的弟(😯)(dì )弟(dì )及(😚)妻(💁)兒,坦(tǎn )白致歉望(wàng )求(qiú )寬恕。感(🏀)(gǎ(🍅)n )性而不感(😉)傷(shāng ),碧巴達以(yǐ )不慍不火的(de )圓熟(🌾)(shú(🥔) )技巧呈現(🐸)破(pò )碎人生的悲(bēi )喜,冷(🐇)不防(fá(⛏)ng )遇(😫)上(🚥)慌失失(shī )劫匪來個黑(hēi )色幽默(🈁),也(🐂)(yě )未忘留(🙏)下(🚬)孩(hái )子的善良,溫潤人間。
喧嚣的(✒)都(💞)市(shì )中,在(🚢)碟店(diàn )打工的男主(zhǔ )角阿正与(💘)都(🔕)市(🙎)白领小美(🗜)邂逅,两颗寂寞的心渐渐(🧥)走近,直至(😮)两(⛏)(liǎng )人之间的交(jiāo )往(wǎng )被一个中(➿)(zhō(🌛)ng )年(nián )男人(🛳)发现(xiàn ),阿正被其(qí )找人暴打之(zhī(🤚) )后(💉),两个带(dà(🍭)i )着创伤的身(shēn )体才(cái )最终越过(📗)了(👭)(le )底(🎧)线。 阿正(zhèng )天真地认为(wéi )这种暧(Ⓜ)昧(🤲)关(guān )系即(🍬)代(😧)表着(zhe )一种情感的(de )承诺,而小(xiǎo )美(🌡)或(➿)许只是(shì(🃏) )将其作为一(yī )种愧疚下的(de )补偿(🌓)、(🦇)一(☕)段(duàn )临时(👪)的慰藉(jiè ),甚至从未对阿(👶)正产生(💋)过(🌚)所(🐏)谓的的“爱”。
藤冈靛在片中饰(shì )演(🚬)(yǎ(🙎)n )引发奇迹(⛳)(jì )的(de )正体不明(míng )的(de )主人公拉(lā )乌(🗒),尽(📚)管他(tā )的(🔪)国籍与语(yǔ )言不明,但(dàn )是温暖(🍤)的(🚲)笑(🔎)(xiào )容却(què )有种不可思(sī )议的力(✝)量(🍟),影片通过(🚼)超(🧕)(chāo )越国籍与宗(zōng )教的年轻人(ré(🦑)n )们(👹)的友情,自(🐳)然地反应(yīng )人们的生活(huó )。影片(🍚)全(🤗)篇(🧖)(piān )外景在(🌇)印度(dù )尼西亚苏门(mén )答(🏀)腊岛拍(⛽)摄(🐐)(shè(🤰) ),用时一个月。
During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.详情